Huh-larious. The folks at JibJab let you clone yourself into a elves and make hilarious videos like this one starring my cousin Bobby "Boob" Blease, Cynthia Mora Blease, Baby Santiago David Blease and the incomparable Johnny "Stitches" Blease--together known as the Little Bleases. Enjoy.
Monday, December 14, 2009
Friday, December 4, 2009
Mario Iván Oña Photo Gallery
Enjoy a sample of some of the photos that I have taken at concerts, during travel and as the editor of The Washington Post employee newsletter.
Note: To view the slide show in full-screen, start the slide show by clicking on the center of the image and at the bottom right corner, next to the thumbnail images you should see a logo with four arrows pointing at the corners. Click on it.
Note: To view the slide show in full-screen, start the slide show by clicking on the center of the image and at the bottom right corner, next to the thumbnail images you should see a logo with four arrows pointing at the corners. Click on it.
Wednesday, December 2, 2009
Free Music on Amazon.com
Following a string of hefty lawsuits by the Recording Industry Association of America for illegal downloading, I think many of us got scared straight into paying for every cotton-pickin' music download. So we bid farewell to freeness and yanked Limewire off our computers. Because of the simplicity of iTunes' click-n-download (not to mention that unlike Limewire, when you bust out a buck for a song on iTunes, you are guaranteed the whole song and the MP3s are properly named and attributed to the right singer--most of the time), we began to click our way into a recession. Then, Amazon.com came along with it's online music store and not as many of us took note. After all, we stick to what we know. And we know iTunes, iPods and iPhones. So after getting tired of iTunes' stingy free offerings--one or two songs per week (and not very good songs, though this week's Tonino Carotone's "Amar y VIvir" is quite good)--I started looking closer at Amazon.com. Just in time for the holidays, give yourself the gift of free, good music. There are over 1,500 songs to download. You'll need to download an Amazon.com music downloader/player, but it's totally worth it. You can then simply drag your new free downloaded MP3s into iTunes. I work on a MAC and actually the music downloads directly into iTunes--not sure if this is the case on PCs. Just to give you a taste, there is free music by Rodrigo y Gabriela, David Byrne, Ziggy Marley, Anti- and Nacional Records samplers, a Buddha Loung compilation and a bunch of Holiday music. And the nice thing is that you can hit "Preview All" at the top of the link and listen through endless music samples before downloading. Enjoy and your welcome.
Thursday, November 12, 2009
Interview: Devendra Banhart
I recently interviewed Devendra Banhart for La Banda Elástica. It was a wild ride to say the least.
Friday, June 26, 2009
My Generation's Elvis
Like most, I have my strong opinions about the enigmatic King of Pop(ularity), also known as Michael Jackson, who died in Los Angeles yesterday of apparent cardiac arrest. He was 50. But today, I prefer to recall the impact he had on me, long before I was old enough to develop a healthy amount of cynicism or rational thought. In remembering the little anecdote below, I'm realizing the magnitude, resonance and influence of this icon--far beyond what my mind would allow me to accept today. His popularity transcended generations, ethnicities, religions and borders. As Washington Post columnist Joel Achenbach aptly put it, "At his best, he was the best."
In the summer of 1983, all that mattered to a young Ecuadorian 8-year-old boy growing up in Miami was a red pleather jacket with thick shoulder pads and a bunch of zippers. The jacket hung prominently at the nearby Kmart. For some context, back then, you never, ever admitted shopping at Kmart. If your parents took you there, you ducked in and out hoping no one saw you. If you were unfortunate enough to run into a classmate, there was an understood, mutual vow of silence. One time, my mom made the mistake of packing my lunch in a Kmart plastic bag. To make a long story short, it took two years and moving from elementary to middle school to dispel the notion that I was a cheapskate.
But now I had a reason--a very, very good reason--to risk being caught in a Kmart: Michael Jackson's "Beat It" jacket. I already had the black moccasins, the white socks, the flood water black slacks and a blue T-shirt with some iron-on image on the front. All I needed was the jacket. It dawns on me now how a young boy that was utterly self-conscious about shopping at Kmart didn't have the least bit of reservation about being a tan-skinned Latino dressing up like an eccentric African American pop star. Nevermind that the red jacket hung in the women's department. The reason, of course: everybody was doing it. Back then, everyone wanted to be Michael Jackson. And at the age of 8, one rule overode all fashion sense: fitting in. To be like, to dress like, to sing like and to look like Michael Jackson was cool.
Around the same time, I knew if I saved my allowance for a few months I could purchase the G.I. Joe hovercraft, retailed at $24.99 plus tax. So hip was it to be like this Mike, that the hovercraft would have to wait. I saved and saved and saved. I don't recall how much the jacket cost, but I remember wanting it more than anything else. When fashion trumps a cool military toy with all the bells and whistles, that should tell you something. My parents were usually supportive of these capricious, childhood wants, as long as my two brothers and I understood how hard it was to earn a buck. But in this case, they pressed the parental override button and didn't let me get my way. Surely, they must have realized how ridiculous it would have been for me to parade around looking like Michael Jackson. Surely, they were looking out for my best interest because they knew that 8 year olds don't need much ammunition to be awfully mean. Of course, they failed to realize that Michael Jackson WAS the norm. NOT being like Michael Jackson was standing out. NOT having the red jacket or knowing how to moonwalk was a reason to mock someone.
A few months later my Aunt Cece from Chicago had sown some sparkling beads on a pair of white gloves. I got the right glove for my birthday and my cousin Bobby got the left one. I didn't have the jacket, but I had the glove. And for the time being I was cool again. I was a normal 8 year old in 1983.
This piece was also published in La Banda Elástica.
In the summer of 1983, all that mattered to a young Ecuadorian 8-year-old boy growing up in Miami was a red pleather jacket with thick shoulder pads and a bunch of zippers. The jacket hung prominently at the nearby Kmart. For some context, back then, you never, ever admitted shopping at Kmart. If your parents took you there, you ducked in and out hoping no one saw you. If you were unfortunate enough to run into a classmate, there was an understood, mutual vow of silence. One time, my mom made the mistake of packing my lunch in a Kmart plastic bag. To make a long story short, it took two years and moving from elementary to middle school to dispel the notion that I was a cheapskate.
But now I had a reason--a very, very good reason--to risk being caught in a Kmart: Michael Jackson's "Beat It" jacket. I already had the black moccasins, the white socks, the flood water black slacks and a blue T-shirt with some iron-on image on the front. All I needed was the jacket. It dawns on me now how a young boy that was utterly self-conscious about shopping at Kmart didn't have the least bit of reservation about being a tan-skinned Latino dressing up like an eccentric African American pop star. Nevermind that the red jacket hung in the women's department. The reason, of course: everybody was doing it. Back then, everyone wanted to be Michael Jackson. And at the age of 8, one rule overode all fashion sense: fitting in. To be like, to dress like, to sing like and to look like Michael Jackson was cool.
Around the same time, I knew if I saved my allowance for a few months I could purchase the G.I. Joe hovercraft, retailed at $24.99 plus tax. So hip was it to be like this Mike, that the hovercraft would have to wait. I saved and saved and saved. I don't recall how much the jacket cost, but I remember wanting it more than anything else. When fashion trumps a cool military toy with all the bells and whistles, that should tell you something. My parents were usually supportive of these capricious, childhood wants, as long as my two brothers and I understood how hard it was to earn a buck. But in this case, they pressed the parental override button and didn't let me get my way. Surely, they must have realized how ridiculous it would have been for me to parade around looking like Michael Jackson. Surely, they were looking out for my best interest because they knew that 8 year olds don't need much ammunition to be awfully mean. Of course, they failed to realize that Michael Jackson WAS the norm. NOT being like Michael Jackson was standing out. NOT having the red jacket or knowing how to moonwalk was a reason to mock someone.
A few months later my Aunt Cece from Chicago had sown some sparkling beads on a pair of white gloves. I got the right glove for my birthday and my cousin Bobby got the left one. I didn't have the jacket, but I had the glove. And for the time being I was cool again. I was a normal 8 year old in 1983.
This piece was also published in La Banda Elástica.
Friday, December 5, 2008
The Strokes' Julian Casablancas Must Be Wonderin'
So little by little it seems all the members of The Strokes are starting their own side projects and sorta pulling it off. Albert Hammond Jr. is on his second solo album. Both were very well-received, critically. And now drummer Fabrizio Moretti has two side projects: the hilarious, psycho-hippie-hillbilly on crack project Megapuss, which could only be fronted by Devendra Banhart, and now Little Joy. That's all fine and dandy, except that Little Joy sounds really good and really, really like The Strokes down to the very drunken, passive-aggressive lazy, highly-nuanced croon of Stroke lead singer Julian Casablancas. On Little Joy, Moretti teamed up with Banhart collaborator and Los Hermanos lead singer Rodrigo Amarante, who does such a convincing Casablancas voice, you swear you just heard a new Strokes song. I can just imagine how the conversation between Casablancas and Moretti must have gone after the Nov. 4, 2008 release of the self-titled Little Joy record.
Moretti (M): I wanted it to be a surprise, Jules... so did you hear it? What did ja think?
Casablancas (C): Dude... What the f**k! It's not bad enough that you didn't alter your drumming whatsoever from how you play with us, but you also had to get a vocalist that sounded exactly like me?! Jesus.
M: Come on dude... We are making Brazilian indie rock--nothing like what we do on The Strokes!
C: Os Mutantes was Brazilian indie rock. This project of yours sounds like The Strokes with a few sprinkled lyrics in Portuguese. You gotta be sh*ttin' me! Why not bring some of these great ideas when we start recording the next Strokes record this year?
M: Dude... you're such a d*ck! Like you really let me throw my two cents when we're making a Strokes albums. I'm the effen drummer, remember? The Beatles didn't even let George Harrison get too many of his ideas in there... Ringo? Two words: Yellow Submarine, biatch.
C: Alright dude... what can I tell you? Congrats? Congrats on being the Strokes drummer who formed the new Strokes with a different lead singer?
M: A**hole. [hang ups]
C:Merry Christmas, Ringo.
Moretti (M): I wanted it to be a surprise, Jules... so did you hear it? What did ja think?
Casablancas (C): Dude... What the f**k! It's not bad enough that you didn't alter your drumming whatsoever from how you play with us, but you also had to get a vocalist that sounded exactly like me?! Jesus.
M: Come on dude... We are making Brazilian indie rock--nothing like what we do on The Strokes!
C: Os Mutantes was Brazilian indie rock. This project of yours sounds like The Strokes with a few sprinkled lyrics in Portuguese. You gotta be sh*ttin' me! Why not bring some of these great ideas when we start recording the next Strokes record this year?
M: Dude... you're such a d*ck! Like you really let me throw my two cents when we're making a Strokes albums. I'm the effen drummer, remember? The Beatles didn't even let George Harrison get too many of his ideas in there... Ringo? Two words: Yellow Submarine, biatch.
C: Alright dude... what can I tell you? Congrats? Congrats on being the Strokes drummer who formed the new Strokes with a different lead singer?
M: A**hole. [hang ups]
C:Merry Christmas, Ringo.
Friday, September 19, 2008
Watch After Watching
It's been ten years since the Coen Brothers released their box office trash, but cult classic flick, "The Big Lebowski." Without exaggeration, I have seen the movie about 20 times from start to finish. But even so, I couldn't tell you the plot. One person mistakenly pisses on another's "valued rug" that "really ties the room together." The porn industry and nihilists get into the mix. Everyone is chasing everyone and it's almost impossible to keep track of exactly the who the "you" is in the memorable quote: "This is what happens when YOU f**k a stranger in the a**!" The point is that the plot is forgettable and negligible almost by design. The Coen Brothers' penchant for characterization is the selling point. Each character in "The Big Lebowski" delivers deliciously hilarious lines. Each character is complex, idiosyncratic and completely believable. And together, the characters stitch together a fantastic movie experience that could have had a million different plots and the outcome would have been the same. That's the Coen Brothers' magic. It's visible in "Lebowski," but also "O, Brother Where art Thou?," "The Ladykillers" and "No Country for Old Men."
So now we get to the Coens' new release, "Burn After Reading." It's receiving lukewarm critical response on account that the story is not that good. Well... duh... the proof is in the characters. And by that measure, this movie is bound to be another Coens cult classic. Each character delivers lines that no doubt will be memorized and uttered millions of times, over and over. John Malkovich's rage-fueled pompous, has-been CIA operative couldn't be funnier. George Clooney's womanizing ways, sexual deviance and preoccupation with kitchen floors is hysterical. Frances McDormand and Brad Pitt, who work together at a gym, form one outrageously enjoyable doofus sandwich. CIA head J.K. Simmons and CIA officer David Rasche's two closed-quarter meetings provided some of the best comedy in the movie, while "heart-in-the-right-place" hero Richard Jenkins was impossible to root against. And so on and so on. Over the years, each character will learn to be loved for their quirks and terrific lines.
Most movies tend to be a one-time affair: you watch it once and you're done. But with the Coen Brothers, you can help but watch their movies over and over and over, hoping to catch something about their compelling characters that maybe you missed the first twenty times. "Burn After Reading" is one you will watch after watching and then watch it some more.
So now we get to the Coens' new release, "Burn After Reading." It's receiving lukewarm critical response on account that the story is not that good. Well... duh... the proof is in the characters. And by that measure, this movie is bound to be another Coens cult classic. Each character delivers lines that no doubt will be memorized and uttered millions of times, over and over. John Malkovich's rage-fueled pompous, has-been CIA operative couldn't be funnier. George Clooney's womanizing ways, sexual deviance and preoccupation with kitchen floors is hysterical. Frances McDormand and Brad Pitt, who work together at a gym, form one outrageously enjoyable doofus sandwich. CIA head J.K. Simmons and CIA officer David Rasche's two closed-quarter meetings provided some of the best comedy in the movie, while "heart-in-the-right-place" hero Richard Jenkins was impossible to root against. And so on and so on. Over the years, each character will learn to be loved for their quirks and terrific lines.
Most movies tend to be a one-time affair: you watch it once and you're done. But with the Coen Brothers, you can help but watch their movies over and over and over, hoping to catch something about their compelling characters that maybe you missed the first twenty times. "Burn After Reading" is one you will watch after watching and then watch it some more.
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